Sunday, April 3, 2011

The Prince and the coal miner's great-great-great-great-granddaughter

Front page, 17 Nov 2010 issue of The Times, shows the blue engagement ring, his late mother's.
[Foreword:  We first read about the-prince-and-the-commoner story in the 27th November 2010 issue of El Mercurio, published in Santiago, Chile as Los Middleton de las minas de carbon a Buckingham [The Middletons. From the coal  mines to Buckingham].  The original in English was written by Andrew Norfolk for 19th November issue of The Press of The Times with the title Amazing journey from pit to palace
Clipped from the front page of the Saturday (Sabado), 27 Nov2010, issue of El Mercurio.
The feature page of the cover story, The Middletons/From the coal mines to Buckingham.
We clipped several rich illustrations from El Mercurio's follow-up stories and are spread out in this article. Our captions/notes are translations of the newspaper's Spanish text.]
 

As of this writing, it's 26 days to the "wedding of the decade", as one newspaper puts it, when Prince William takes Catherine 'Kate' Middleton to be his wife, "till death do [they] part." 

It's a Cinderella 2011 story, the second-in-line to the British crown marrying a coal miner's great-great-great-great-granddaughter on 29th April 2011!  This could have been unthinkable even in fairly recent times, a would-be-king bringing a commoner into the royal household, a stuff for mushy movies and dime novels. 

From the feature story of 02 April 2011 of ,El MercurioWedding details shown include the route to the reception from Westminster Abbey to Buckingham Palace; the blue sapphire engagement ring studded with 14 diamonds; the Rolls Royce Phantom VI that Kate will ride to the church; the State Landau 1902 that the newly weds will take from the Abbey to the reception; the main altar where the couple will exchange vows; St Edward's Chapel where the bride and groom will sign the marriage certificate; assigned seating places of the royal family, VIPs and other invited guests. 1,900 people have been invited, and about 2-billion are estimated to watch the live TV coverage.  Five carriages drawn by 18 horses will bring the newlyweds, the royal family and the sponsors to Buckingham.  The newlyweds will be greeted by 21 cannon shots from Fort Amherst.  The British press estimates that the Royal Wedding will cost about $80-million. 
Kate's ancestors on her maternal side, 27-year-old James Harrison and the generations after  him, toiled underground for wages in the coal mines owned by the family of Elizabeth Bowes-Lyon who married into the royal family and would later become Queen Elizabeth the Queen Mother, Prince William's great-grandmother.
Clipping from 23 Mar 2011 issue of El Mercurio showing the carriage and Rolls Royce.  Princess Diana rode in this carriage during her wedding to  Prince Charles.

James Harrison moved to the collieries when these opened in 1821.  It was Thomas Harrison, Kate's great-grandfather, born 1904, who would dare move out from the coal shafts and seek for fortune away from the mining town.

From the 27 Nov 2010 issue of El Mercurio The royal weddings of Queen Isabel and the Duke of Edinburgh (20 Nov 1947); Prince Andrew and Sarah Ferguson (07 Jul 1986); and Prince Charles and Diana (29 Jul 1981).  Also shown are the portrait of Princess Diana and her wedding dresses.
Kate proceeds from Thomas's daughter Dorothy (born 1935) and granddaughter Carole (born 1955)--women who worked hard to improve their social standing.   Carole worked with the British Airways where she met Michael Middleton.  Kate's parents got married in 1980, brought forth Kate in 1982, and launched their children's party business in 1987.
From the 27 Nov 2010 issue of El Mercurio.   Three pictures of Kate Middleton, one taken in an official event, another at a disco, and the third at Buckingham.  Middle photo shows her parents Michael and Carole Middleton.  Bottom right photo shows the prince's parents.
The world of course knows that the prince and the collier's great-great-great-great-granddaughter met at St Andrews University, were into a relationship for seven years, got engaged while on holiday in Kenya in October 2010, and their wedding date formally announced on 16 November 2010.
This is the 28 March 2011 front page of Red i of Chicago.
London is in frenzy these days.  We surmise that hotel rooms have already been pre-booked soon after the wedding announcement.  We can be certain that there is an increasing demand of whatever astute businessmen can think of as souvenir items like the usual caps, t-shirts, key chains, decals, etcetera.  There's The Royal Wedding William & Kate website that features "all the latest news, gossip, trivia" and where one can buy online "china, merchandise, souvenirs, memorabilia ..." and also a running days-hours-minutes-seconds countdown.

Clipping from the front page of the 17 Nov 2010 issue of Express of The Washington Post.
The Royal Mail has already announced that a commerative stamp of the royal wedding is to be launched on April 21 featuring the couple's official engagement pictures.

In this age of instant news, two billion viewers worldwide are estimated to watch the live TV coverage of William&Kate's wedding at the Westminster Abbey.  

We of course do not belong to the lucky 1,900 persons who have been invited to the royal wedding.

Clipping from the front page of the 06 December 2010 issue of My Paper of Singapore.

Friday, April 1, 2011

Elizabeth Taylor, 79: Giving beauty back to God, "beauty's self and beauty's giver"

 
We had a glimpse of Elizabeth Taylor with Richard Burton as they were coming out from rehearsal at the Lunt-Fontanne Theater in New York City sometime in the last week of April 1983.  They were starring in the stage production of Noel Coward's Private Lives of divorced couples due for opening on May 8 that year.

We were curious of the big crowd milling at the theater gate, and asked about the excitement in the air. Liz Taylor's coming out anytime!  Our only regret was that we didn't bring our camera, another photo-op missed.

We knew of Richard Burton and the other men in the life of Elizabeth Taylor.  We saw them together in the expensive but disappointing Cleopatra movie. We don't remember anything much else of the film except her iconic Cleopatra still pictures and the scandal surrounding her relationship with Burton during the making of the film. 

But we loved Liz Taylor as the rich, shrewish Katharina against Burton's brutish Petruchio in Franco Zafirelli's cinematic version of Shakespeare's The Taming of the Shrew (1967).  Until today we can still hear her Marta in her bitter, drunken word war with Burton's George in Mike Nichols' movie of  Edward Albee's Who's Afraid of Virginia Woolf? (1966).  We came to know more of Liz the actress through the portable digital copies of her classic films:  as the socialite Leslie Lynnton, wife of the wealthy Texas rancher Jordan Benedict portrayed by her friend Rock Hudson in Giant (1956), as Maggie the Cat with Paul Newman as Brick in Cat on a Hot Tin Roof (1958), and as the high-class 'slut of all time' Gloria in Butterfield 8 (1960).


Movie lovers everywhere will remember her for her Martha and Gloria, for which she won two Oscars for best actress.  The world will not forget her for the friends she kept till their deaths--Rock Hudson and Michael Jackson--and her humanitarian spirit, in her commitment to and support of the AIDS campaign.


Hers was a "timeless beauty".  She of the legendary violet eyes was glamor up to the day she checked in at the hospital to bravely wait for death to claim her. She had already willfully rejected all further medical remedies.  After all she has survived pain and immobility through her 79 years brought about by "hundred surgeries and interventions of different types (including five back), which have been cured (and in some cases cause) of a long list of serious physical conditions such as brain tumor, skin cancer, diabetes, pneumonia, 
osteoporosis, stroke and chronic scoliosis."

 

Her parting words were from Gerald Manley Hopkins' The Leaden Echo and the Golden Echo that she recited through her friend Colin Farrel at her graveside:  she is returning her beauty to God, "beauty's self and beauty's giver" (full text below). 



Gerard Manley Hopkins (1844–89).  Poems.  1918.
The Leaden Echo And The Golden Echo
(Maidens’ song from St. Winefred’s Well)

The Leaden Echo

How to keep — is there any any, is there none such, nowhere known some, bow or brooch or braid or brace, lace, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, . . . from vanishing away?

Ó is there no frowning of these wrinkles, ranked wrinkles deep,
Down? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No there’s none, there’s none, O no there’s none,
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age’s evils, hoar hair,
Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O there’s none; no no no there’s none:
Be beginning to despair, to despair,
Despair, despair, despair, despair.

The Golden Echo

Spare!
There is one, yes I have one (Hush there!);
Only not within seeing of the sun,
Not within the singeing of the strong sun,
Tall sun’s tingeing, or treacherous the tainting of the earth’s air,
Somewhere elsewhere there is ah well where! one,
One. Yes I can tell such a key, I do know such a place,

Where whatever’s prized and passes of us, everything that’s fresh and fast flying of us, seems to us sweet of us and swiftly away with, done away with, undone,
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matched face,
The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,
Never fleets more, fastened with the tenderest truth
To its own best being and its loveliness of youth: it is an everlastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant, girlgrace —
Resign them, sign them, seal them, send them, motion them with breath,
And with sighs soaring, soaring sighs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver.

See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then whý should we tread? O why are we so haggard at the heart, so care-coiled, care-killed, so fagged, so fashed, so cogged, so cumbered,
When the thing we freely forfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept. — Where kept? Do but tell us where kept, where. —
Yonder. — What high as that! We follow, now we follow. — Yonder, yes yonder, yonder,
Yonder.
 [Highlighting ours.]





As a politician's wife.

Source:  PrimeraFila of Las Ultimas Noticias (11 February 2011), Santiago, Chile
Still as glamorous as ever when she checked in at the hospital.  She was brave, the paper reported, bored of doctors and medicines, rejecting further medical treatment.